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	<title>Electric LarryLand &#187; Larry Seyer</title>
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	<link>http://electriclarryland.com</link>
	<description>A Media Production Podcast by Larry Seyer</description>
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	<managingEditor>wordpress@larryseyer.com (Larry Seyer)</managingEditor>
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	<category>Recording Studios</category>
	<ttl>1440</ttl>
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		<title>Electric LarryLand</title>
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	<itunes:subtitle>A Media Production Podcast by Larry Seyer </itunes:subtitle>
	<itunes:summary>A Media Production Podcast by Larry Seyer</itunes:summary>
	<itunes:keywords>Electric LarryLand, Recording, Audio Production, Video Production, Podcast</itunes:keywords>
	<itunes:category text="Technology">
		<itunes:category text="Podcasting" />
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	<itunes:category text="Technology">
		<itunes:category text="Software How-To" />
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	<itunes:author>Larry Seyer</itunes:author>
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		<itunes:name>Larry Seyer</itunes:name>
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		<item>
		<title>Labor of Love 2011</title>
		<link>http://electriclarryland.com/2011/09/08/labor-of-love-2011/</link>
		<comments>http://electriclarryland.com/2011/09/08/labor-of-love-2011/#comments</comments>
		<pubDate>Thu, 08 Sep 2011 18:12:51 +0000</pubDate>
		<dc:creator>Larry Seyer</dc:creator>
				<category><![CDATA[Sessions]]></category>

		<guid isPermaLink="false">http://electriclarryland.com/?p=742</guid>
		<description><![CDATA[Almost every year, my brothers Robert and Bennett make the trip down from Missouri to spend the Labor Day weekend with us here in Austin. We have traditionally called this weekend &#8216;Labor of Love&#8217; because the three of us do this because we love it &#8211; not because we expect to make any money or [...]]]></description>
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		<title>Labor of Love</title>
		<link>http://electriclarryland.com/2009/09/07/labor-of-love/</link>
		<comments>http://electriclarryland.com/2009/09/07/labor-of-love/#comments</comments>
		<pubDate>Mon, 07 Sep 2009 20:07:30 +0000</pubDate>
		<dc:creator>Larry Seyer</dc:creator>
				<category><![CDATA[Inside EL]]></category>

		<guid isPermaLink="false">http://www.electriclarryland.com/?p=701</guid>
		<description><![CDATA[Every year over Labor Day weekend, my brothers Robert and Bennett make the trek down from Missouri to Texas. When they&#8217;re here, we usually write a song or two and record it. Sometimes our other brothers and sisters join us and we make it a family thing. It has become both a wonderful ritual and [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Steely Dan&#8217;s &#8220;Dirty Work&#8221;</title>
		<link>http://electriclarryland.com/2009/07/20/steely-dans-dirty-work/</link>
		<comments>http://electriclarryland.com/2009/07/20/steely-dans-dirty-work/#comments</comments>
		<pubDate>Mon, 20 Jul 2009 07:15:56 +0000</pubDate>
		<dc:creator>Larry Seyer</dc:creator>
				<category><![CDATA[Inside EL]]></category>

		<guid isPermaLink="false">http://www.electriclarryland.com/?p=673</guid>
		<description><![CDATA[I remember when Steely Dan&#8217;s &#8220;Dirty Work&#8221; was released. Stationed in Fort Leonard Wood Missouri with my first wife Anita and my newly born son Adam, I was driving my green Ford Fairlane 500 towards the trailer park where we lived in St. Roberts. Thoughts of recording and mixing were running through my mind. &#8220;How [...]]]></description>
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		<item>
		<title>Introduction to Wanderer Awakening Posts</title>
		<link>http://electriclarryland.com/2009/04/27/introduction-to-wanderer-awakening-posts/</link>
		<comments>http://electriclarryland.com/2009/04/27/introduction-to-wanderer-awakening-posts/#comments</comments>
		<pubDate>Tue, 28 Apr 2009 01:34:57 +0000</pubDate>
		<dc:creator>Larry Seyer</dc:creator>
				<category><![CDATA[Wanderer Awakening]]></category>

		<guid isPermaLink="false">http://www.electriclarryland.com/?p=663</guid>
		<description><![CDATA[People have asked me to write some behind-the-scenes notes about some of the production techniques done on Wanderer Awakening. For those that do not know what this is, a little explanation might be in order. Wanderer Awakening is a two and a half hour musical consisting of 50 titles &#8211; twenty-five traditional &#8216;songs&#8217; and twenty-five [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>The Importance of Intelligibility</title>
		<link>http://electriclarryland.com/2009/02/09/the-importance-of-intelligibility/</link>
		<comments>http://electriclarryland.com/2009/02/09/the-importance-of-intelligibility/#comments</comments>
		<pubDate>Tue, 10 Feb 2009 03:25:09 +0000</pubDate>
		<dc:creator>Larry Seyer</dc:creator>
				<category><![CDATA[Sessions]]></category>

		<guid isPermaLink="false">http://www.electriclarryland.com/?p=638</guid>
		<description><![CDATA[When mixing speech, it is best to ensure intelligibility by using compression and EQ on the vocal. This can be done using an EQ that is adjusted for a clearer sounding voice by increasing the gain at around 3k. Generally, I like to filter the low frequencies of the microphone out of the signal by [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cut and Level Mixing</title>
		<link>http://electriclarryland.com/2009/01/05/cut-and-level-mixing/</link>
		<comments>http://electriclarryland.com/2009/01/05/cut-and-level-mixing/#comments</comments>
		<pubDate>Mon, 05 Jan 2009 18:57:23 +0000</pubDate>
		<dc:creator>Larry Seyer</dc:creator>
				<category><![CDATA[Inside EL]]></category>

		<guid isPermaLink="false">http://www.electriclarryland.com/?p=560</guid>
		<description><![CDATA[I received a question from Flash at Flashpoint Studios regarding the differences between adjusting levels in Nuendo. One way is to use the objects in the arrangement window and raise and lower them there&#8230; the other is to use the mixer and raise and lower the levels in the mixer. First you see the track [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jingle Jangle Christmas</title>
		<link>http://electriclarryland.com/2008/12/22/jingle-jangle-christmas/</link>
		<comments>http://electriclarryland.com/2008/12/22/jingle-jangle-christmas/#comments</comments>
		<pubDate>Mon, 22 Dec 2008 08:18:59 +0000</pubDate>
		<dc:creator>Larry Seyer</dc:creator>
				<category><![CDATA[Inside EL]]></category>
		<category><![CDATA[Podcasts]]></category>

		<guid isPermaLink="false">http://www.electriclarryland.com/?p=376</guid>
		<description><![CDATA[When I was younger (many years ago and more than likely before many of you were even born) I used to dream of being able to play all of the musical parts that I heard in my head onto some kind of mechanism that would play them back as I heard them. I used to [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<itunes:duration>0:03:45</itunes:duration>
		<itunes:subtitle>When I was younger (many years ago and more than likely before many of you were even born) I used to dream of being able to play all of the musical parts that I heard in my head onto some kind of mechanism that would play them back as I heard them.
[...]</itunes:subtitle>
		<itunes:summary>When I was younger (many years ago and more than likely before many of you were even born) I used to dream of being able to play all of the musical parts that I heard in my head onto some kind of mechanism that would play them back as I heard them.
View looking out from my parents house in Missouri
I used to dream about doing this while I lived at my parents house in Missouri.
Sitting in my bedroom, I would listen to the sounds in my head and imagine them being playing all together at once.
It was a dream that would not be realized until many years later when my friend Gary Powell installed a complete MIDI studio in his home and invited me to use it.
Gary let me use his MIDI studio to compose and arrange the sounds that I heard in my head starting in 1986.  In fact, I recorded my very first complete MIDI CD at his studio and titled it &#8220;Family Portrait&#8221;.  His generosity is something that I will always be grateful to him for.  Words cannot express what that experience did for me and my musical growth.
Electric LarryLand circa 1998
Armed with this knowledge about the capabilities of MIDI and bursting with a desire to own my own MIDI studio, I purchased tons of my own MIDI gear for my use here at Electric LarryLand.
It didn&#8217;t take much for me to be inspired enough to write and record songs at my newly equipped MIDI capable studio.   I wrote many many tunes during those days.
In 1999, I was inspired to write a Christmas song entitled &#8220;Jingle Jangle&#8221;.   The tune was loosely based on a style similar to Mannheim Steamroller.   However, it doesn&#8217;t really sound like them at all.
I&#8217;ll let you be the judge of what you think it sounds like.
Enjoy!

Copyright &#169; 2008 This feed is for personal, non-commercial use only.  The use of this feed on other websites breaches copyright. If this content is not in your news reader, it makes the page you are viewing an infringement of the copyright. (Digital Fingerprint: )</itunes:summary>
		<itunes:keywords>Podcasts</itunes:keywords>
		<itunes:author>Larry Seyer</itunes:author>
		<itunes:explicit>clean</itunes:explicit>
		<itunes:block>no</itunes:block>
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		<title>Cut That EQ!</title>
		<link>http://electriclarryland.com/2008/12/17/cut-that-eq/</link>
		<comments>http://electriclarryland.com/2008/12/17/cut-that-eq/#comments</comments>
		<pubDate>Wed, 17 Dec 2008 05:41:00 +0000</pubDate>
		<dc:creator>Larry Seyer</dc:creator>
				<category><![CDATA[Inside EL]]></category>
		<category><![CDATA[Sessions]]></category>
		<category><![CDATA[EQ]]></category>
		<category><![CDATA[Hi Pass]]></category>
		<category><![CDATA[How To Use EQ]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Nuendo]]></category>
		<category><![CDATA[Professional Audio]]></category>
		<category><![CDATA[Shelving EQ]]></category>

		<guid isPermaLink="false">http://www.electriclarryland.com/?p=304</guid>
		<description><![CDATA[EQ is an essential part of mixing used in professional audio work. Most engineers will grab an EQ knob and start turning until it sounds right. And there is nothing wrong with that approach. Generally, an inexperienced engineer will &#8216;add&#8217; frequencies in an EQ device in order to make the track sound &#8216;brighter&#8217; or give [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Background Vocals and Tracks</title>
		<link>http://electriclarryland.com/2008/12/13/background-vocals-and-tracks/</link>
		<comments>http://electriclarryland.com/2008/12/13/background-vocals-and-tracks/#comments</comments>
		<pubDate>Sat, 13 Dec 2008 07:33:47 +0000</pubDate>
		<dc:creator>Larry Seyer</dc:creator>
				<category><![CDATA[Inside EL]]></category>

		<guid isPermaLink="false">http://www.electriclarryland.com/?p=265</guid>
		<description><![CDATA[It is not unusual to record 24 tracks of instruments when doing a typical pop song. But it is unusual to record 24 additional tracks of just background vocals. This is what was required for a song that I am currently working on. In fact, there was so many tracks used on this song, that [...]]]></description>
		<wfw:commentRss>http://electriclarryland.com/2008/12/13/background-vocals-and-tracks/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Transfer Progress</title>
		<link>http://electriclarryland.com/2008/12/11/transfer-progress/</link>
		<comments>http://electriclarryland.com/2008/12/11/transfer-progress/#comments</comments>
		<pubDate>Thu, 11 Dec 2008 08:23:26 +0000</pubDate>
		<dc:creator>Larry Seyer</dc:creator>
				<category><![CDATA[Inside EL]]></category>

		<guid isPermaLink="false">http://www.electriclarryland.com/?p=231</guid>
		<description><![CDATA[The transfer from cassettes to computer is going very well. I&#8217;m using an RME MultiFace audio interface to convert the audio into digital form and an older version of Samplitude to record the data onto my laptop computer. It has come as a complete surprise to me as to how much data I actually have [...]]]></description>
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		<slash:comments>0</slash:comments>
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